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Aussie Fashion, Australian Designer, Australian Fashion, Australian Fashion Industry, Editorial, Events, MBFWA, Mercedes Benz Fashion Week 2018

The Innovators

May 17

For those who embrace rebellion and eccentricity every day.

Angela Lowe, EWOL

Fashion Design Studio, TAFE NSW Ultimo, is the home of many famous people.

If you wait for Mercedes Benz Fashion Week every year with the highest anticipation then welcome to my world.

If fashion is your thing you’re in the right place.

If emerging talent is your passion, then let me personally thank you, because your love is much appreciated.

By oh! soooo many!

This is the story of “The Innovators”.

Graduates of Fashion Design Studio.

Where Sydney fashion design is concerned, FDS is the home and very solid bedrock of many iconic established Australian fashion labels … Dion Lee, Akira Isogawa, Christopher Esber, Gary Bigeni,  Nicky Zimmerman, and Bianca Spender to name a few.

It is a creative hub of design excellence, like no other.

Led by experienced, devoted, passionate, brilliant educators like the famous Nicholas Huxley, the wonderful Sophie Drysdale and Andrea Cainero, the walls are lined with the distinct flavour of adventures just begun.

And the fashion talent just keeps oozing out … Every. Single. Year.

Meet, “The Innovators” at this years Mercedes Benz Fashion Week 2017.

 

AMELIA AKLE

Amelia’s work is a reflection of all her interests; the inspiration of which is to embrace the classic feminine aesthetic and to represent a new-age feminine ideal.  The collection is a combination of modernity and rebellion against traditional femininity. Internship at Zimmermann is where her specific interest in exceptional garment finishes and the perfect cut grew. Amelia was a winner in the World Square Fashion Illustration competition. During her final year of study, she collaborated with Vogue Australia and Witchery to create a piece for the ‘White Shirt Campaign’, in support of ovarian cancer. Recently pieces from her graduate collection appeared in the London-based ‘Schön’ magazine.

Meet Amelia Akle.

EWOL by ANGELA LOWE

Angela Lowe’s, EWOL exists at the periphery of normality. Where male and female overlap to create an ‘other’. Atypical in its use of material, its references and inspirations … EWOL blurs the boundaries of streetwear and high fashion to create wearable art worn by risk-takers. Those who relish the stares and the double takes.

Drawing inspiration from the juxtaposition of conflicting ideas – conviction and humour; masculinity and femininity. EWOL is for individuals who identify with a movement against the norm. For those who embrace rebellion and eccentricity every day. There are so many incredible things that we do not see with the naked eye.

Meet Angela Lowe. Ewol by Angela Lowe on Instagram.

ANN XIAO

A secret application to study fashion design, encouraged by her best friend and partner was the start of beautiful beginnings. As a child, Ann was an avid sketcher and would often design outfits for friends and family. It was only after partially completing an economics degree that she decided fashion was her real passion. She had found her voice, so to speak. YouTube tutorials helped Ann to learn the basics, followed by an internship with House of Quirky, Dion Lee, and Manning Cartell. She is now working as a womenswear and menswear design assistant at The Upside, with plans to look overseas to further broaden her horizons and gain insight into international markets.

Meet Ann Xiao. AnxDesigns on Instagram.

CASEA by CASEA HEWITT

Cassie Hewitt released her first collection in December 2016. She has formerly interned with Manning Cartell, Bianca Spender, Carla Zampatti and Sara Phillips. Cassie was a finalist for the Australian Fashion Foundation’s Annual Scholarship Program, where she presented her graduate collection to industry leaders. This year Cassie went on to win the Graduate of the Year Award for Fashion and Textiles at the Design Institute of Australia.

Each CASEA piece tells a story through vibrant signature prints, rich colours, intricate embellishment, craftsmanship and luxurious fabrics. CASEA challenges the misconception that fast fashion is sufficient if the price is “right”. The brand’s accentuation on quality and craftsmanship aims to create a world where the trend of expendable fashion is diminished and a high value is placed on heirloom and sentimental pieces.

Meet Cassie Hewitt. CASEA The Label on Instagram.

HANDSY SWIMWEAR

It took eighteen months for Emma Standon to identify her passion for designing swimwear and experimenting with bending the restricted rules of this fashion genre. Swimwear tends to be restricted in its ability to explore innovation in design, as functionality typically is the upmost priority.Fascinated by emerging technologies and the opportunities to explore innovative techniques in fashion design, Emma was especially interested by 3D printing. This was the spark which fuelled her interest in couture swimwear. This ideology, fused with underlining tones of sexual promiscuity and empowerment, became Handsy Swimwear.

Meet Emma Standon. Handsy Swimwear on Instagram.

RICHARD GIANG

Richard Giang is an Australian emerging fashion designer. Formerly an Architectural graduate at the University of Technology, Sydney (UTS), he decided to pursue his dream in the world of fashion. Richard’s designs are trans-seasonal, diverse, and wearable. Garments that evoke feelings of confidence, empowerment, sophistication and allure. His designs incorporate unique elements, techniques and textural fabrications that allow him to compromise and to create interesting aesthetic garments to suit all manner of occasions. Feminism and female empowerment are the foundations of his creativity, inspired by architecture, visual arts and Helmut Newton’s photography.

Meet Richard Giang. Richard Giang on Instagram.

JOHANNA SMITH

Johanna Smith was originally a teacher working in an isolated
Aboriginal community in far west NSW.  Sheer isolation saw Johanna fall into a surreal entity of creative inspiration. The abstract arrangement of colour in outback Australia and the Aboriginal people became the embodiment, reference and muse of her label. The launch of YOHANA is infused with muddy hues and bold colour contrasts where obscure leather accents, cotton canvas and shirting are contrasted with lustrous texture.

Meet Johanna Smith. Yohana on Instagram.

Thank you to everyone who supports emerging Australian designers. They need your support, your interest, your passion, your encouragement, and your money. Please invest in their labels. Buy their product. Share the love by following their social media and …

LOVE Label Ministry on social, because the love starts here!

Until next time,

Jade xx

Coat Hanger Logo done in black on white in the style of chinese calligraphy and paint brushing style with the words Label Ministry placed in capital letters below it.

Australian Designer, Australian Fashion Industry, Editorial, Fashion Designer, Global Fashion Industry, Interview

Akira Isogawa

December 14

 

“A garment can transcend, giving it a soul.

I translate fabrics into soft and romantic silhouettes, using natural fabrics like silks and cottons, which are kind to the skin.

Distressing fabrics and alchemically treating them, gives the feeling of already ‘being loved’, thus evoking emotion. Even one-off fabrics found in flea markets can be given new life.

Richly embellished fabrics echo Eastern influences, and I have great respect for their traditions. Inspiration can be found from the past – re-using vintage textiles and sometimes creating replicas of them, incorporated with specific craftsmanship.

The number of hours someone has spent on manual work like this makes it priceless.

I see craftsmanship as an implement with which to realise one’s vision. Past, present and future; that slogan continues in almost everything around which my work evolves. Timeless beauty and femininity in my design is profound, in a way for the wearer to express their inner soul.”

Akira Isogawa

Akira Isogawa | Spring Summer 2017

Akira Isogawa | Spring Summer 2017

 

This week I was blessed. Truly blessed.

I had the opportunity to sit down with Akira Isogawa, one of Australia’s most loved and iconic fashion designers. I can’t tell you how exciting this was for me. As a younger woman, some moons ago, ok, many moons ago, I used to ooooh and aaaah over the most exquisite fabrics reminiscent of liquid silk, colours that adorned only my imagination, and garments so beautiful I was sometimes left breathless. For the many moons which have passed since, Akira has continued as the master that he is, creating one collection after another, with the same, if not a greater level of beauty and craftsmanship.

To me this man is a legend.

Continue Reading…

Australian Fashion Industry, Editorial, Events, Fashion Designer

Raffles Graduate Runway 2016

December 12
Model on the runway wearing a white ruffled design by Ruth Read from Raffles College of Design Graduate Runway 2016.

Fashion is no longer just about ‘the garment’ …

Nick Comino

On Tuesday night Sydney’s Raffles College of Design took over Ambush Gallery in Chippendale for their graduate show 2016.

A huge open space, walls pulsating with tunes, matched with sheer adrenalin and anticipation running through the fashionista veins of this year’s graduating emerging fashion designers.

The charge in the air was tangible.

Each and every year, Australia welcomes a new group of emerging designers who hope to break into the Australian fashion industry. It is competitive, fiercely challenging and not for the feint hearted. The vast global arms of the international fashion industry at large and its devotees stand and wait with baited breath, beckoning those to live up to the industry standard. And in Australia, that bar is high. Very high. At least creatively.

Commercially our industry has suffered greatly through years of the ever changing climate of the digital age, struggling economic trends, and the inevitable rise of the “fast fashion” chains.

It has long been the case, for independent designers, that success is difficult to achieve and recognition difficult to attain. Support, government funding and financial backing are not as easy to come by as one might think.

I know it is the sentiment of myself and many others that the nurturing of our beloved industry back to its former glory days is a work in progress, for established designers and particularly for emerging talent.

I am pleased to report, I am really starting to see the tide turn.

Thankfully …

Enjoy xx

Backstage scene at the Raffles College of Design Graduate Runway 2016 at Ambush Gallery.

Backstage | Raffles Graduate Runway 2016 | Photography Jessica Fekonia

We habitually look at fashion as the spectacle and traditionally iconic.

Nick Comino

The space was filled with chatty, enthusiastic people who clearly loved anything creative.

This year, different to last, where the event was held at Carriageworks in a traditional runway setting.

2016 saw the graduate fashion designers share their space with other graduating Raffles students from Fashion Marketing, Photography, Interior Design, Graphic Design and Digital Media.

I had a long chat with Nick Comino, Raffles Program Director, who said, “this year we wanted to produce a show that encompassed everyone. We habitually look at fashion as the spectacle and traditionally iconic, so this year, we wanted to address things a little differently”.

He added, “even though a lot of the designers who have historically graduated from Raffles, may not have a label as such, the course offers them the opportunity to explore themselves and their own minds. Most find placement within the industry that we all love. Fashion is no longer just about the garment”.  

I also spoke to Betsabeh Sohrabi-Sabi.  The Assistant Program Director of Fashion and teacher of the course, Fashion Marketing. I asked her about how she felt about the contrast of her fashion marketing students showing alongside the runway of graduate emerging fashion designers; so different from the preceding year. She proudly showed me the work of her fashion marketing students; an essential wheel of course in the industry of fashion and the imperative and successful marketing of such.

Shortly after 7pm the lighting changed and the audible sighs of said fashionistas filled the room.

It was a full and excited house. The usual, wonderful suspects were there.  Fedora hats, latest cuffed chinos and expensive brogues, not to mention the ever present designer handbag. Sky high heels, with and without platform, and carefully curated outfits. One doesn’t like to stare … but sometimes you just can’t help it! Surprisingly, many of the girls sported flats … an ever increasing trend I have noticed during recent months and events. A spill over from fashion week this year, with an obvious hint of permanence. Thank God! That’s a trend I’m all for!

Amazing tailoring, creative skill, and sheer mastery of sewing and construction went to Ruth Read who was selected to participate in an exchange program in Milan, an experience that fortified her attention to detail and craftsmanship, leading her to becoming a finalist for Emerging Designer of the Year in the 2015 Australian Wool Awards. Read currently has an internship with Vogue Australia, and will be travelling to Milan next year to gain further experience and refine her artistry. She said, “The making of fashion garments allows me to explore deep levels of personal expression. My designs and making processes allow me to develop fashion forms that communicate a ‘breaking through’ emotion. The final garment becomes a point of balance between internal and external. An equilibrium of dark and light”.

Model on the runway wearing a white ruffled design by Ruth Read from Raffles College of Design Graduate Runway 2016.

Ruth Read | Raffles College of Design Graduate Runway 2016 | Photography Romualdo Nubla Studio MOR+

 

Model on the runway wearing a white ruffled design by Ruth Read from Raffles College of Design Graduate Runway 2016.

Ruth Read | Raffles College of Design Graduate Runway 2016 | Photography Romualdo Nubla Studio MOR+

 

Model on the runway wearing a white ruffled design by Ruth Read from Raffles College of Design Graduate Runway 2016.

Ruth Read | Raffles College of Design Graduate Runway 2016 | Photography Romualdo Nubla Studio MOR+

 

Model on the runway wearing a white ruffled design by Ruth Read from Raffles College of Design Graduate Runway 2016.

Ruth Read | Raffles College of Design Graduate Runway 2016 | Photography Romualdo Nubla Studio MOR+

 

Another standout in the designer line up for me was Alexandra Uyen Nguyen. A label for both men and women, I loved her use of black and white and the “Flintstone” feel of her geometric prints. The see-through top combined with cotton; very clever, and my other favourite, the oversized, off the shoulder top with big bold stripes. I thought the collection refreshing indeed. Her collection, ‘States of Mind’ was influenced by the work of ‘outsider’ artists like Yayoi Kusama. Through the use of repetitive prints and oversized silhouettes her work challenges the conventional social norms of fashion.

Model on the runway in a striped oversize top with white skirt with geometric pattern at the Raffles College of Design Graduate Runway 2016.

Designer | Alexandra | Raffles College of Design Graduate Runway 2016 | | Photography Romualdo Nubla Studio MOR+

 

In Hayley Kang’s collection, we saw the return of the classic sundress, a black and white maxi skirt teamed with an interestingly created crop top, and the use of blue and orange tones combined. Men’s suiting; a combination of pastels worked alongside plain grey, teamed with cropped drop crutch pants. I enjoyed the assymetrical skirts and her clever take on the geometrically patterned pea coat with “crayon effect”design. The use of fabric with self patterned spots, fringing and lattice work was inspiring. An altogether Alice McCall feel to me. Apparently, inspiration for the collection came from a traditional Korean folk tale about a masked dance, the purpose of which was to breathe courage into people, to break through the status quo and forego self-regulation.

Hayley Chang | Raffles College of Design Graduate Runway | Photography Romualdo Nubla Studio MOR+

Hayley Chang | Raffles College of Design Graduate Runway | Photography | Jessica Fekonia

 

Mary Quach … more black and white. In my opinion, always a winner on the runway and in life. I could see from very quick glimpses of her graduate collection that this young lady has the gift of design, sewing, and commercial ability. I loved the men’s cropped white trousers with a broad panel of fabric finishing off the hem. The gorgeous red coat with subtle stripe and hood, a traditional take on the duffle coat of old. Her women’s black pants shown with an interesting, wearable and textured top. Her collection to me had an almost industrial feel and laboratory driven design. I loved the details of lacing, the use of industrial climbing ropes, and gorgeous khaki sensibility. Her collection embodied fashion in an era of political subterfuge and dysfunction. A collection directly influenced by the Japanese film ‘Akira’ and its dystopian vision, coupled with the aesthetic influences of the constructivist design movement of the Russian revolution. 

Alyce Chen’s beautiful cornflower blue leather dress was a standout also. A truly beautiful, wearable creation which I personally would like to see more of. Her collection explored female sensuality and sexuality as historically portrayed in romantic literature and painting.

Model on the runway wearing a cornflower blue leather dress by emerging designer Alyce Chen.

Alyce Chen | Raffles College of Design Graduate Runway 2016

Laura Davis’ work was a collection of immense quality. Clever layering, feminine skirts, and a beautiful green, long flowing coat closely related to the trench, but created outside of the box in super fun fabric. I loved her colour combinations, an art in itself. Her use of applique fabrics, unfinished hems, raw edges, and assymetrical skirts were interesting, versatile and wearable. “Frustrated by the perpetual revolving door of fashion, Laura took matters into her own hands, creating a label that represents a beautiful, minimalist life that prioritises style over quantity”.

Unfortunately, it is impossible to write about everyone in an article such as this, as time does not permit. Congratulations to all the emerging designers.

People are watching you. You are loved!

I should mention as a spokesperson for the Australian Fashion Industry … that our extremely talented established and emerging designers and their creative teams need your support.

What does that mean? It means we need you to spend your fashion dollar on Australian labels. Read our editorials. Buy tickets to events.

Follow LABEL MINISTRY on social media so our platform can become THE VOICE and THE PLATFORM. In this way, our work and our passion can ripple out to those whose full hearts are relying upon our work, far and wide across Australasia and the world.

Jade Cosgrove sitting in Ambush Gallery waiting for the Raffles College of Design graduate runway for emerging designers to start 2016.

Jade Cosgrove | Founder | Label Ministry | Photography | Romualdo Nubla | Studio MOR+ | Raffles Graduate Runway 2016

LOVE US on Facebook   &   FOLLOW US on Instagram

Until next time,

Jade xx

Thanks To |

Special thanks should go to Romualdo Nubla, the photographer behind StudioMOR+. Romualdo is devoted to supporting, photographing, and representing Australian fashion, Australian emerging designers, and Australian Fashion Week and associated festivals across the fashion calendar year.  Without these devoted professionals our industry would not exist. Please support so that our beloved fashion industry can flourish once again.

Studio MOR+ | StudioMOR+ |

StudioMOR+ Facebook | Romualdo Nubla | StudioMOR+ | Instagram

Raffles College of Design |

Raffles College of Design

Designers Featured |

Ruth Read Instagram

Laura Davis | Laura Davis Instagram

Mary Quach Instagram 

Alexandra Uyen Nguyen Instagram

Hayley Kang Instagram

Coat Hanger Logo done in black on white in the style of chinese calligraphy and paint brushing style with the words Label Ministry placed in capital letters below it.

 

Australian Fashion Industry, Editorial, Fashion Designer, Instagram

Trash Talk

December 6

Fashion was and still is, about beauty, dignity, poise, and reverence.

 

When did it become ok for celebrities, Hollywood and otherwise to stop wearing underwear to red carpet events in the name of fashion just because they were wearing a certain type of dress? I have been watching this rise in vulgarity for some time now and I can no longer be quiet about it.

On the one hand we are all screaming about feminism and crying like babies when men stare at our boobs but then happily cement our own sexism and elevate to new heights our vulnerability and dissatisfaction by wearing fashion pieces which once upon a time would have shamed us all for being sluts.

Our obsession with things so tight, we can’t move, fabrics so sheer we leave nothing to the imagination, and openings on dresses so vast, we abandon our underwear and leave only parts God himself has witnessed on show to the world.

I don’t know what you think, but as this is an opinion piece, and as I fully have to admit, a little prone to a rant at times, I have to tell you that we are overdue for a change.

Sorry…

We all know what’s under people’s clothes. Do we really have to be subjected to the most private parts of one’s body and then pretend to call it fashion? Quite aside from the sheer ugliness of those body parts, who wants to see them? The line between pornography and fashion is becoming a little too “blended” for me. And no. Just because something has been carefully perfumed, manicured, and waxed doesn’t make it a show piece either.

I for one am sick of shorts so short I can almost see what’s been had for breakfast, tops so plunging I can see the shadow of the nipple, and dresses so short and revealing that I am unwillingly introduced to your cellulite thighs and then hello! nooo … your Ruby-Tuesday!

Enough!  Yes, fashion is about creativity, imagination, diversity, and even cheekiness. But when did it become about nakedness and the soft crevices of well …

Quite aside from what we find acceptable to look at, and I acknowledge that my conservative view will not be shared by everyone, I do have to point out, how does this exposure and behaviour impact on our younger generations and social media platforms such as Instagram?

In making this behaviour the new “normal” are we not teaching the younger audience of the global fashion industry and horrifyingly our children who are without question, the most prolific users of Instagram, that a “following” is all important and that this is often achieved by very explicit content?

I believe we have an obligation to teach our younger generation about pride and dignity. To help them to understand that they are valuable and wonderful human beings who can enjoy and delight in fashion without the social constructs which promote the growing insistence and then consequential confusion of body shaming.

Naturally, I do not include the world of swimwear in my critique, as little clothing within our long accepted beach culture it totally acceptable. As a female, four small triangles otherwise known as the bikini wouldn’t offend anyone. As for the men, most of them wear boardies anyway don’t they, and if they don’t, we have been conditioned a long time ago to “not” look!

But on stage? The red carpet? Really. I ask you? Do we have to see people’s genitalia?  In God’s name, what will be next? Men walking around with their penises slung out of their trousers just because the trousers boast a designer’s name? Would that make it ok?

Nope.

I have had enough.

I am the greatest lover of fashion of all time, but please don’t tell me it includes having to look at people’s breasts on mass bulging out of their garments or horrific glimpses of a vag.

There is ample opportunity in this world to wear as little as pleases you, but can we please not make it the stage or iconic red carpet events? It really, and I mean really, brings down the tone of an industry which has always enjoyed the exalted heights of glamour, class and style. Reminds me of that old adage … “money don’t buy class”. True or not?

Money these days seems to buy more and more of the same thing, especially on the red carpet.  It usually equates to less and sadly, less, class.

If anyone was to ask my opinion? Be an example! Look beautiful. Be dignified. Be the voice to tell the world about the world’s amazing fashion designers, particularly the Australian ones, because everyone knows we are the best!

But don’t bring fashion down to the depths of the gutter.

That’s where the rats live.

Where the infectious diseases reside.

And life starts not to matter …

Let’s not take it there.

Synonymous with the word fashion has always been the virtues of beauty and dignity.

We have seriously lost our connection to the importance of strong moralistic human virtues and instead have become immersed in a debased cultural mindset of anything goes. This attitude helps nobody. It does not help humanity and it certainly doesn’t help our beloved fashion industry, Australian or otherwise.

Fashion was and still is, about beauty, dignity, poise, and reverence.

Let’s keep it that way.

Until next time,

Jade xx

Coat Hanger Logo done in black on white in the style of chinese calligraphy and paint brushing style with the words Label Ministry placed in capital letters below it.

 

 

 

Australian Fashion Industry, Editorial, Events, Global Fashion Industry

Fashion Design Studio 2016

November 29

fds_event_2016-ar5_7467-alexroberts_photo-lo

 

Forget restrictions. Forget modesty. Explore the freedom of sexual expression through couture swimwear with no rules. We didn’t come here to be sensible.

Emma Standen, Handsy Swimwear.

Last week I had the absolute pleasure of attending the Fashion Design Studio 2016 Graduate Runway Presentation at The Spine, Sydney TAFE.

Like each and every year, FDS seems to be able to churn out the most incredible fashion talent and this year was certainly no different.

Of course FDS, Fashion Design Studio, formerly East Sydney Tech is no stranger when it comes to churning out amazing creative talent. In it’s 61st year, it is the home of many a famous Australian designer whose names have well and truly commanded the respect and admiration of all within the industry both locally and internationally. And, stay there. Have they what! Akira Isogawa, Dion Lee, Nicky Zimmermann & Christopher Esber.

As I was only telling someone last night … yes, I am still banging on about my dearest passion.

At least I’m consistent!

It is the sole reason Label Ministry was created as an online platform.

To tell THE WORLD that we are simply the best!

Australian designers rock! I don’t believe there is a country in the world who can match the fashion talent we continuously unleash to the world at large, and quite frankly, I don’t believe there ever will.

We have “something”.  Intangible. Unmistakably ours.

A freshness that identifies as Australian. Our fabrics, our designs, and the way in which we wear our clothes demonstrate our acceptance of diversity and imagination. Fuelled by the blessing of unlimited sunshine, white sands and royal blue oceans which stretch as far as the eye can see.

Yep. No-one can touch us and that’s a fact.

Continue Reading…

Australian Fashion Industry, Editorial, Events, Interview, Millinery, Spring Racing Carnival

The Dress Circle

November 21
Five national competitors for the Victorian Spring Racing Carnival. Alice Bright, Courtney Moore, Inessa McIntyre, Regina Thei, Ashleigh Jane, all sitting under a tree.

 

Alice Bright standing in a white lace dress, white clutch and matching white hat.

Alice Bright | Fashionista On the Field | 2016 | Photography | Ryan Pike

 

 

I’m feeling very lucky as I feel I am living some of my dreams right now.

Alice Bright

This year at Mercedes Benz Fashion Week, I met a stunning, tall, gorgeous girl with a beautiful, welcoming smile. I initially greeted her because I admired her dress from afar, and made a bee line to her to compliment her on her standout appearance.

As an aside, I always try to do this when I see women who are beautifully dressed anywhere, as I have always seen great importance in uplifting each other in any way we can.

Anyhow, as we started chatting, the gorgeous young woman, who told me her name was Alice surprised me by telling me she was not a fashion designer. Why was I surprised you might ask? Well, because I was at Fashion Week.  Right?  That’s usually where you find them. Alice told me she had made the dress she was wearing which was drop dead gorgeous, and that she made all her dresses for events. What events I asked?

Racing Carnivals.

Over the course of the year, a Myer, Fashions on the Field winner is selected from each state in Australia. During the Melbourne Cup Carnival, a Myer Fashion on the Field winner is selected from literally hundreds of participants, on Melbourne Cup Day, Derby Day, and Oaks Day. The winner becomes the official Victorian representative and then competes for the national crown. 

Alice was Tasmania’s winner in February 2016 at The Hobart Cup.

All of the girls who are winners in their own states compete against one another to become the national winner of Myer’s Fashions on the Field, which is celebrated every year on Crown Oaks Day. This is the final day, at least for the fashionistas, during the Melbourne Cup Carnival at Flemington.

The finalists this year were Alice Bright (Tas), Courtney Moore (SA), Ashleigh Ridgeway (WA), Gracyn Marsterson (VIC), Regina Thei (NSW) and Inessa McIntyre (QLD). First place went to Courtney Moore, second place to Gracyn Marsterson, and third place to Alice Bright.

Alice Bright is a woman blessed with the perfect surname.  She indeed has the “brightest” of futures, which will gloriously match her friendly smile.

Of course, being the insatiable fashionista that I am, I wait with great anticipation for the “Alice Bright” fashion label … another story, for another day.

For now let’s focus on her most recent amazingness.

Here is her story …

Enjoy xx

 

Crown Oaks Day | Left | Alice Bright | 3rd | Middle | Courtney Moore | Winner | Right | Gracyn Marsterson 2nd |

 

LM

Congratulations! On your recent successes! How did you first come to be involved with Myer Fashions on the Field?

AB

Thank you so much, it was such an amazing experience and I’m feeling very honoured to have received third place in the national final of Myer Fashions on the Field at Flemington Racecourse.

I started entering Fashions on the Field events when I lived in Launceston, Tasmania back in 2007. My first success came with second place in the Launceston Cup, Fashions on the Field.

This was the first outfit I designed and made to enter Fashions on the Field and looking back, a catalyst for why I am as passionate as am now. I had a little break from 2007 – 2011 and my second moment of significance came when I finished in the top 10 in Myer FOTF on Derby Day 2012. This was a very special moment for me as I designed and made this dress & headpiece with my mum. Similar to my first experience this success gave me the motivation I needed to keep designing and keep entering Myer FOTF.

 

Continue Reading…

Editorial, Interview, Lifestyle

Dream the Miracle

November 14
Picture of Barbara Callan standing outside in nature in a black and white geometric designed sleeveless dress.

 

This journey of self responsibility begins with the understanding that everything – without exception – that is in our lives and our experience is our own creation.

Barbara Callan

 

Picture of Barbara Callan standing outside in nature in a black and white geometric designed sleeveless dress.

 

Every now and again, I write an editorial piece which steers away slightly from the focus of fashion.

Our lives are so full of work, business, family, networking and goal setting that I thought it would be helpful to introduce my audience to someone who has made coaching ‘her life’.

Barbara Callan is an intuitive consultant whose work is becoming more and more known.

She is someone who understands the intrinsic details of working with energy. She believes we are all “energy first and physical second”.

Of course, traditional life and business coaching is something we have all been aware of, and had access to, for quite some time. The idea of placing our goals in plain sight via the vehicle of consistent and accountable coaching, is a perfectly common sense idea.

Slightly different however, is that Barbara encourages people to take responsibility for their own lives to expand themselves energetically, to understand the importance of meditation, and to maintain vigilant awareness of being in the moment, to move closer to our dream life.

I sat down with Barbara to ask her some questions that were on my mind.

Enjoy xx

 

LM

How would you describe “energy”?

BC

Energy is the living force or frequency that surrounds all living things. It has been successfully photographed using Kirlian photography, described as “a technique for recording photographic images of corona discharges and hence the auras of living creatures.” When we work at the energetic level we can effect changes at the physical level which is really cool. Our thoughts and feelings affect our energy field, which in turn affects our body.

 

Infrared pictures of two hands showing an energy field.

 

LM

As an Intuitive Consultant how do you hope to help people in their lives?

BC

I have the ability to tune in to someone’s energy field and to feel what is going on in their lives. I can see and experience blocks that people may be experiencing which are stopping them moving forward. Together we work to remove these and understand them so that they do not reappear. I provide inspiration, clarity and direction. I work by distance with clients all over the world, as energy is not bound by time and space.

Continue Reading…

Australian Fashion Industry, Editorial, Photography, Styling

Karlstrom Creatives

November 8
Picture of a girl in black and white with large round sunglasses and long brown hair.
Model with blue hair standing in colourful skirt and top with high heeled white shoes for a campaign shoot.

Karlstrom Creatives | Photography | Peter Karlstrom | Stylist | Leigh Karlstrom

 

 

The passion and love comes from creating something that is yours. We see what we do as a story and the characters just come to life.

Petter Karlstrom

 

One of my most favourite topics within the realm of Australian fashion is the creative team. We often take for granted the contribution that these teams make to the success of independent designers, important events, and the general gorgeous hype that our industry rocks. No other creative team is more deserving of this kudos which is the topic of my latest editorial.

Who are they? Karlstrom Creatives.

I absolutely love the work of Petter and Leigh Karlstrom.

They have reached, what I consider to be, the pinnacle of creative prowess.

Petter and Leigh Karlstrom are the dynamic duo. Quite literally. Petter is the photographer,  Leigh the stylist.

I first discovered their work when I interviewed the amazing Chisato Chris Arai, another creative genius. Definitely one of Australia’s most coveted makeup artists. If you have not discovered Chris Arai yet, do yourself the pleasure of checking out her work. Just navigate through the menu to her article. Truly inspiring.

But back to the Karlstrom duo. Their work is fresh, inspiring, different, engaging, and pure creativity. It is the epitome of imagination and fantasy, and I love it!

I can’t sing the praises of these people enough. I know, I know. You think I say that about everyone I interview. Well I do try to sing everybody’s praises. That’s true. But it is never undeserved, as I am blessed to be granted interviews with the very coolest of people!

Every now and again, you come across people and talent that is truly special. And this article is about these human gemstones.

Petter told me, “the streets inspire us. Characters and spaces. I usually get an idea from being at a cool location and then the rest just comes naturally”.

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Australian Fashion Industry, Editorial, Fashion Designer, Global Fashion Industry, Interview

Frederick Jenkyn

September 26
Model | Kelly Hockey Place | London Designer | Frederick Jenkyn Photographer | Chris Fatseas

Frederick Jenkyn, Australian Fashion Designer, TAFE Ultimo. The Innovators.

As all of my devoted followers already know, earlier this year, I had the pleasure of perusing on mass, the breathtaking young smorgasbord of talent that Australia serves up each and every year at Mercedes Benz Fashion Week. After the week long event, which is the highlight of the years for all Australian fashion devotees, I methodically work my way through the incredible mix of entrepreneurial youth, offering them the opportunity to publish an affordable and effective public relations interview to promote their names and their emerging brands.

Frederick Jenkyns collection was outstanding. I met him the very day of the unveiling of his collection, but am bringing you this interview after corresponding with him in London, his new place of residence.

As I am sure you are aware, and if you are not, please consider this.

Our emerging designers are quite literally our fashion future.  They represent the group of people who will lead us strongly, both locally and internationally, in the ethical and sustainable production of our beloved fashion industry. Young people such as Frederick will most likely be the names behind your choice of dressing and the other interiors of our design lives for decades to come. It is essential that we support them, read about them, buy their product and offer them our gratitude and encouragement.

Please remember to share  the love.

Australian fashion is depending on you …

 

Meet Frederick Jenkyn.

In five years? I want to have my own studio with pattern makers/design assistants. A machinist and a social media/online manager.

Rolls and rolls of fabrics and a stock room filled to the brim.

I would like to think I’ll be complaining about needing more space. But then I will think, I need to pay for the embroidery for next season so it’s not a good time to upgrade.

I will only wear black. In case someone visits the studio and I won’t look a mess.

And in the bottom draw of my desk, that looks like a filing draw, I’ll keep some throw rugs for the “before show” all-nighters.

Frederick Jenkyn

 

Model Kelly Hockey modelling in London for Frederick Jenkyn. Photographer Chris Fatseas.

Here is Frederick Jenkyn’s story so far …

Frederick Jenkyn as a brand emphasises wearable innovation through unconventional textiles and hand crafted detailing traversing the borderline between couture extravagance and everyday wearability.

Frederick Jenkyn

 

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