Browsing Tag

Women

Aussie Fashion, Australian Designer, Australian Fashion

Claire Marrazza | Fashion Design Studio

November 21
Claire Marrazza and her label Nokoff, graduating student from Fashion Design Studio, Ultimo TAFE 2020

In recent weeks, as I do every year, I have been liaising with the wonderful emerging designers from Fashion Design Studio as they move closer to what will be their greatest moment thus far, in their fashion careers. The FDS Graduate Runway. This is where their final collections are put on show celebrating the amazing detail of the many aspects which have made up their fashion design degrees.

Claire’s name was incredibly familiar to me and as I pondered, I realised that she had been one of the wonderful volunteers at the Jurassic World Fallen Kingdom Runway developed and produced by yours truly in 2018 in collaboration with Universal Studios to celebrate the 25th Anniversary of the Jurassic Park franchise at Australian Technology Park. The first collaboration of its kind for Australian fashion.

I asked Claire how she enjoyed the experience … 

CM

The 2018 Jurassic World event held at Australian Technology Park was the first big fashion event I ever got to experience/work behind the scenes at. The quick changes and energetic atmosphere were super new and exciting to me as a baby fashion student and the event was a great introduction to the inner workings of a runway. It gave me great insight into the organisation and work that goes into a show. It was an invaluable experience.

Meet Claire Merrazza and her label, Nokoff.

Enjoy!

Claire Marrazza and her label Nokoff, graduating student from Fashion Design Studio, Ultimo TAFE 2020

 

What was the driving force for you to study fashion design?

I have always been interested in clothes, dressing up and having fun with fashion. I wanted to study fashion design. It is exciting and is a way for us to express ourselves and be whatever we want to be. The expression of it is limitless.

What are your hopes and dreams for your chosen career as a fashion designer?

I hope to work in and to explore many different facets of the fashion world, from photography, styling and costume to designing, creating and making. I want to collaborate with and meet other creative people, to see lots of new places and to learn as much as I can about my field and about myself.

How would you describe your particular aesthetic and where did the inspiration come from for this aesthetic?

My aesthetic can be described as playful, novel, humorous and colourful. It is simply what comes naturally to me and is generally inspired by how I dress and what I admire in clothes and styling. My designs are a hyperbolic version of how I dress myself. Experimentation with imagery, colour and texture, as well as the idea of “playing dress-ups” are all central parts of my aesthetic.

Who do you see as your customer?

Anyone who wants to have fun with the way they dress and to feel less inhibited. My ideal customer has no age, no gender, and no body type — and  fashion the ideal of fashion which includes everyone is something I hope to encourage.

How much importance do you place on the theatre of “the runway”?

I think the runway is an exciting atmosphere. There are other ways to showcase clothing that are also welcoming and accessible to people, especially those that are new to exploring fashion.

What do you feel is the difference between a successful fashion designer and an unsuccessful fashion designer?

I think a successful fashion designer looks to themselves for reassurance of what they are doing, not to others for trends or profits. To me, staying true to oneself as a designer is what true success means, and it deeply enriches a designer’s work when they do so.

How do you feel the fashion industry has supported you so far?

So far, I have felt most supported by my peers and fellow creatives within the industry. The understanding we have of one another — especially through tough times of self-doubt and unsureness — is one of great importance in an industry so tough.

Claire Marrazza and her label Nokoff, graduating student from Fashion Design Studio, Ultimo TAFE 2020

What changes and level of support would you like to see for the future of the Australian fashion industry?

Increased opportunities for emerging designers is something that I think everyone would like to see in the near future. Graduates have lesser opportunity and are forced into working countless internships before a chance in a design role. The Australian fashion landscape has a lot of growth to do in terms of jobs, variety and inclusiveness and I hope to see that shift sooner rather than later.

What is the hardest thing you have had to face in your journey of the fashion industry so far?

Undoubtably, staying true to what you want to design can be really difficult due to outside pressures and constant exposure to other creatives design work. Not following trends can be really tricky but it is so worth it to stick with your personal vision and what you truly want to create.

What does Australian fashion mean to you and how do you see it in terms of contrast with other countries and regions of the world?

I feel that Australian fashion is a little bit timid and hesitant to jump into the more eccentric and experimental fashion seen in other parts of the world. Australian designers and students have some crazy big talent and I hope they can assist in helping Australia have a bigger standing on the global fashion stage.

What does the word fashion mean to you and the people around you?

Fashion is a means to connect with others and is also a way of exploring and connecting to your own identity through self-expression.

People often describe fashion as vacuous and unnecessary. What would you say to people who hold this opinion?

Unfortunately the fashion world can be very exclusive and polarising, but things are definitely changing. I think we need to keep pushing for a fashion world that includes everyone. To those who say fashion is trivial, I believe that it’s a matter of engaging with the parts of fashion that connects with ones sense of self.

Do you feel excited about your fashion career or do you feel that it is peppered with anxiety about the future?

It changes every day!

Like most creative careers, there are times of anxiety, but the outcomes and exciting times outweigh the fears.

Claire Marrazza and her label Nokoff, graduating student from Fashion Design Studio, Ultimo TAFE 2020

How do you feel about stepping out in the big wide world of fashion after having been in study mode for three years?

It’s scary, but I’m really not  fussed as long as I’m constantly creating and having a good time. I’m looking forward to learning and growing and expanding my skills. So much has changed for me in the last three years since I started studying fashion, and at this rate I can’t wait to see what’s in store for me in the future.

What are you looking forward to the most for your graduate runway and your moment of glory?

To see the work come together as a cohesive collection will be so rewarding. It’s surreal to finally see the illustrations on the page and the ideas in my head become a walking reality.

How do you feel about having older models walk in your show, when this has not been done before.

I’m really excited about it and I think it’s something that will become a permanent change in the industry, which is so important and fantastic.

So often older people are largely excluded from being represented in fashion and are expected to conform to a certain way of dressing.

Fashion should be fun for everyone, and self-expression doesn’t become less important after a certain age.

Amen!

What would you like to see as the format of the runway in the future?

I would love to see a rise in fashion displayed in showcases or performance-art like artist Vanessa Beecroft’s style. I think it’s another way that the designer can create a stronger and more cohesive vision for their collections that enhance the power of the garments.

The creation of their textile designs alone come into being from the most incredible sources … in one case, from the students own photography. Textiles, dyeing, devore, screen printing … are the basis of the incredible work which is consistently turned out, year in and year out at Fashion Design Studio.  The lecturers are full of heart, love and professionalism. Their enthusiasm and devotion to the industry they love and the people who choose to walk in their original footsteps is unending. To all of them, Alex Zehntner, Laura Washington, Julie, Mary and Narelle, I say “Thank You”. They are the unsung heroes in this story as they are the foundations of the success of the long list of Australian fashion icons that have stepped out of this institution many moons ago now. This year, we are entering a new paradigm for the Graduate Runway, in line with the release of my new project, The Ageless Runway, where I will be walking along with some other silver foxes ? I think we are all aware now that fashion is for everyone, and we all want success for everyone in all sectors of the industry. This is our new future of Australian fashion, and it always starts with those who will literally form the future of our industry … the wonderful emerging talent. In the next little while on the Label Ministry platform I will be showcasing the FDS designers who have chosen to have the golden oldies walk for them.

Stay tuned for the next interview …

Until next time,

Jade xx

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Aussie Fashion, Australian Fashion, Australian Fashion Industry

A Moments Silence

October 13
Jade Cosgrove for the launch of The Ageless Project May 2020

I salute you 2020. You’ve been a total Bitch but as we move to your conclusion, I see your gift.

A Moments Silence if you will Fashionistas … for in our hearts, in our minds, and in our lives, so many of us are mourning the state of what was the Australian fashion industry.

This is an article with a difference. A reflection if you will of 2020. The year where many say twenty-twenty vision represents the spiritual blending of our 3D lives and the deeper understanding of our own souls and purpose for being here.

No longer are we completely satisfied with the cursory glimpse into our fashion futures but I believe so many of us have become moving beacons of light driving forth the importance of our personal dreams and using this awareness to step solidly into our new paradigm. For those of us who see, it is the opportunity for us to step into the finer awareness and greater understanding of all things in our lives, not only our careers but everything that does not ring true or hold proper value.

It has been a time of great sadness to witness the demise of the fashion world, Fashion Week, the retail market; the general fashion vehicle as we know it. The ripple effects of the current destructive mechanisms worldwide have caused the irreparable havoc that is 2020. Paradoxically, it is also a time of pure excitement, incredible opportunity, where long needed changes to the fashion industry can now come into full effect for the benefit of us all.

For those of us who have made fashion industry work our lives, it is a demoralising period indeed. I know I speak for many when I say that many of us are wondering if we will ever work in fashion again.

I have been privy to many complex conversations over the last while. People who seem convinced that at some point everything fashion will return to normal and we will all breathe a huge sigh of relief.  Naturally because of the work I do, I have been asked repeatedly what I see as the ultimate fate of the industry.

It is a sobering moment, is it not, when one realises that the vaults of the vehicle they have supported for so long are completely empty. In this, I realise I am not alone. In a world where the term “equality” was used ad nauseam and so liberally, when there simply wasn’t any is disappointing indeed.

I have been witness to so many talented, creative, and hard working individuals who have never been recognised for their work over the period of many, many years.

At the same time, I have been witness to five minute wonders who have experienced almost celebrity status idolatry in their success and the ridiculous ease of upward movement.

Surely the initiations of talent, hard work and experience should count for everything.

The sad reality has been that it didn’t.

Change as we have seen this year has been incredibly difficult for many.

For the people I know and love in the industry, I have watched carefully their pain through redundancy and their change of choice around their fashion careers, mainly through having no choice at all.  Like so many, I too lost many booked jobs and opportunities due to the unexpected 2020 shenanigans.

I am here however, to bring good news on the fashion front and although you will not be breathing a total sigh of relief after reading this article, I do hope it will bring some level of hope to an industry that we all love.

I promise you, just as the sun greets us every day, we will rise again.

Will it ever be the same, you may ask? Will the industry recover and how might it be fixed?

Certainly not. I don’t believe for one moment, it will be “fixed” or return to what we knew as the norm. I do believe it will most certainly be re-written.

Why?

Because the good folk have been burned people. Badly.

Scorched, in a way that will never be forgotten. And good folk always win in the end. In the exciting rebuilding of the years to come, their work will not only be recognised but they will take their rightful place as the solid, quite achieving leaders they always were.

I hate to say, I told you so, but I have been writing and speaking about this demise for a very long time, not because I have super powers of knowing, but because for way too long I have been witnessing the unfair distribution of goodies within an industry that forgets and disregards far too easily the people who have underpinned the vehicle generously with their beautiful energy, undying commitment, creativity and hard work.

Since when was is it okay to ignore key people in any industry where the loosely used expressions of equality and creative talent swirled around backstage or auditoriums with gay abandon and with no real benefit to anyone? This reality was never a sustainable model and was only ever designed to support those at the top helping themselves to the cream. The Australian fashion industry will no longer just serve a chosen few, many of whom, were self appointed and not even chosen.

Fashion is for everyone, all people, from all places, of all origins, and all ages.  It is one of the reasons that my latest project, The Ageless Runway was developed in the first place.

In our new fashion paradigm all creatives will be involved and their work recognised. All designers will be represented and applauded. All models will be glorified and appreciated. All editors will be invited to sit in prominent positions from which they can report and write their articles. All fashion enthusiasts will be welcome. All budding fashionistas, designers, and groupies will find a place to enjoy one of the most beautiful art forms the world has to offer and nobody will be left out. Simple. I firmly believe that Australian fashion will be rebuilt in a manner of which we will all be proud and I for one cannot wait for the day.

This world needs beauty and lots of it. Beauty uplifts, brings hope and joy to the hearts of us all. Fashion belongs in our world, even more so when we enter periods of change and dystopia.  For those of us who have always resided in the fashion realm, it is inconceivable to think that fashion is on a slippery slope even though it is our current reality.

I predict that much of our fashion world, at least for the moment, will be about community and the people with whom we are already connected, until we have completed our personal Moments of Silence.

We are living through a time where each of us are being asked to stop, reassess, look at our lives and the people in them and decide on our continued pathways. To know who we truly are is the greatest gift on earth, and then, and only then, can we know how to visualise the way forward and the future which is designed for us and therefore, truly authentic.

If you would like to be a part of The Ageless Project please get in touch.  It is the kind of fashion project you have been waiting for. Inclusive, different, and all encompassing in its connection to other industries. If our Moment of Silence has taught me anything, it is that we are not alone. It may feel that way but the way of all of our conscious futures is to know that we are here to work together for the benefit of all.

Australian fashion has taken a hit, there is no doubt, but we will rise again like the Phoenix from the Ashes in a sustainable, productive, and respectful way. One which will pay homage to the real reasons that beauty exists in life and pays ultimate respect to those who are truly deserving.

Enormous thanks to …

Terri Anderson Photography for the love and her devotion to The Ageless Project.

Until next time,

Jade xx

 

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Australian Designer, Australian Fashion, Australian Fashion Industry

My Journey … FROW to RUNWAY

May 28
A model shows a creation by Australian designer Aqua Blu during Fashion Week Australia in Sydney on May 16, 2019. (Photo by PETER PARKS / AFP) (Photo credit should read PETER PARKS/AFP/Getty Images)

Jade Cosgrove of Label Ministry and Reuben Cheok walking the catwalk at Sydney's Fashion Week at MBFWA Resort 2020 in Aqua Blu Resort May 2019

Well, I’ve just had my birthday and that always means one thing … Fashion Week is over.

This year Sydney Fashion Week was a completely different experience for its devotees, as many less than positive media articles have already touched on. An event usually well patronised, it was unusually quiet and I have to agree that it wasn’t the well oiled machine of times past. But I think we can all agree we are in changing times aren’t we and as such, are collectively witnessing phenomenal transformations.

The absolute highlight this year was the Aqua Blu show; always a hit in the eyes of the media worldwide, but this year even more so.

For me, the Aqua Blu show rocked for a totally different and very personal reason.

You’ll notice the title of this article. FROW TO RUNWAY … My Journey.

Let me explain. Usually, I get to hang out in the front row …

Continue Reading…

Australian Fashion Industry, Editorial, Global Fashion Industry, New Zealand Fashion Week

Orange Is The New Black

October 15
A model walks the runway in a design by Ruscoe during the New Generation Emerging Couture show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand (Photo by Phil Walter/Getty Images)

If you’ve been keeping up with our latest articles, you already know that Label Ministry ventured to lovely Auckland for New Zealand Fashion Week in August this year.

While most of Jade’s mission at NZFW revolved around the production of the unreal runway show for Heaven Swimwear I was lucky enough to have some time to kick back in the front-row of several other shows.

While I relished my time at every show, one label stood out among the rest. An… orange diamond in the (not-at-all) rough, if you will …

Enjoy xx

Continue Reading…

Australian Fashion Industry, Editorial, Global Fashion Industry, New Zealand Fashion Week

Romance with Rachel Mills

October 5
Rachel Mills at New Zealand Fashion Week 2018 in Auckland, seen and written about by intern Sophie.

As you know Label Ministry recently visited New Zealand for fashion week. I was there to cover and work on the Heaven swimwear show for which I crafted the involvement of none other than the amazing Imogen Anthony, beauty extraordinaire and one of the best walkers of the catwalk I have ever seen.

This year for the first time, I travelled with Sophie, my wonderful intern who will, as I explained in a previous article be contributing to Label Ministry from now on. It is a most gleeful subject that Label Ministry is growing at an incredibly exciting rate and Sophie’s experience in the Australian fashion industry is greatly welcomed and appreciated. She is experienced in fashion public relations and writing as I am sure you will find evident in her article below on Rachel Mills …

Say a big hello!

Jade X

Sophie van den Bogaerde

Sophie van den Bogaerde

Rachel Mills gently set in motion day two of New Zealand Fashion week this Tuesday gone. They are an Auckland-based womenswear label committed to sustainability and the sole use of local manufacturers. The label is based on seeking to “transform the process of getting dressed into a ritual rather than a chore.” Their designs can only be described as gracefully modern and charming, and the Rachel Mills Fashion week session captured this entirely.

Rachel Mills at New Zealand Fashion Week 2018 in Auckland, seen and written about by intern Sophie.

The intimate installation was essentially a room for spectators to walk through, broken up by the blocking of different models against hanging material. It took place in The Studio of the ANZ Viaduct Events Centre, inducing a sense of ease in all of us who, (at first hazily), wandered through the room. The studio itself had high ceilings and a definite industrial sense about it, which made it feel, when set against the installation, like a New York loft apartment or a quiet street when one meandered within it.

Rachel Mills at New Zealand Fashion Week 2018 in Auckland, seen and written about by intern Sophie.

Almost every piece in the collection was simplistic but embellished tastefully with romantic wraps, folds, relaxed fits, clinched-waists and tie details. The colour palette mostly stuck to light-greys, whites, and neutrals, with the occasional delightful pop of lemon or electric blue. The result: A willowy, sophisticated, feminine, effortlessly-cool vibe. The pieces on show largely tailored to smart-casual looks, but could be suitable for any occasion that calls for an understated yet chic beauty.

Rachel Mills at New Zealand Fashion Week 2018 in Auckland, seen and written about by intern Sophie.

The piece that stood out most for me was the ‘Divided Pants’ in Harlequin spot and organic multi check, available now online for pre-order. (IMAGE: Divided Pant.jpg). The pants are split into two different halves: A soft cotton check in pale purple and white, and a silky black and white polka dot. They can be styled to look almost like a wrap maxi-skirt, or just left looking like trousers. I don’t quite understand the mechanics behind the pants and how they transform, but they were very flattering on model Diana Anuenue who sported them styled as a skirt on the day, and something I’m dying to get my hands on.

Rachel Mills at New Zealand Fashion Week 2018 in Auckland, seen and written about by intern Sophie.

 

The room was dimmed, while the beautiful wistful-looking models were lit up against sheer curtains that evoked the feeling of a lazy Sunday morning. Most notable among them was stunning model Raina Masters, who commanded the room with her warm disposition and enthusiasm to quietly work with those photographing her, making for an enjoyable and personable event so different to that of many other installations.

Rachel Mills at New Zealand Fashion Week 2018 in Auckland, seen and written about by intern Sophie.

Cinematic projections played out against the fabric backdrops, with the enchanting live vocals of Lilly Carron weaving a post-breakup mood that was utterly dreamy and captivating. It was as though Lilly’s presence was a ‘final destination’ within the installation, as at first it seemed that the vocals were recorded. Alas- no. Lilly’s voice really was that hauntingly beautiful live, and added the final touch needed to concoct Rachel Mills’ magical session. Lilly Carron is certainly one to keep an eye on for those interested in the music scene looking to support local vocalists as well as local fashion labels.

Rachel Mills at New Zealand Fashion Week 2018 in Auckland, seen and written about by intern Sophie.

The whole thing had me wanting to own and wear every piece on show, while sitting in a cafe, gazing out a window at rainy streets with Lilly’s rendition of Etta James’ ‘I Would Rather Go Blind’ on repeat.

Rachel Mills at New Zealand Fashion Week 2018 in Auckland, seen and written about by intern Sophie.

If it was Rachel Mills’ intention to have me wanting to stay a while with a book and a hot cup of tea…

She certainly succeeded.

Rachel Mills | Instagram

Until next time,

Sophie xx

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Australian Fashion Industry, Beauty, Editorial, Health

The Grey Haired Revolution

September 27
Rebecca O'Hearn, founder of Smart. Casual. Classic.

This year I was fortunate enough to meet a wonderful inspiring woman by the name of Rebecca O’Hearn, the founder of a website which you may have heard of … Smart. Casual. Classic.

A website, refreshingly aimed at the 45+ market age and imperfection is almost the centre point for all it represents and encompasses. A wonderful juxtaposition of style, health, and fashion for the older market.

With a background in Australian magazines and media, she spent seven years with FHM where her position culminated as the Fashion and Grooming Editor. She then went on to be the Fashion Editor of Woman’s Day, and during her time there, Bauer launched Yours magazine for which she became Fashion Editor also. In 2017 Bauer closed the title at which time she directed her passions online to her current website.

Bec describes Smart. Casual. Classic as the “market out there who are starving for relevant content for the mature Australian woman”.

Continue Reading…

Australian Designer, Australian Fashion Industry

Heaven Swimwear

September 20
AUCKLAND, NEW ZEALAND - AUGUST 28: Model Imogen Anthony prepares backstage ahead of the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Fiona Goodall/Getty Images) *** Local Caption *** Imogen Anthony

As many of you will already know, in August of this year I travelled to Auckland, New Zealand to work on the Heaven Swimwear show.

As a show producer, fashion editor and stylist I was privileged to bring on board for this event, the beautiful Imogen Anthony who walked for the show. The first time ever that an Australian swimwear label has shown in NZ.

And walk she did.

Like a boss.

And … mustn’t forget the gorgeous boys!

AUCKLAND, NEW ZEALAND - AUGUST 28: Model Imogen Anthony prepares backstage ahead of the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Fiona Goodall/Getty Images) *** Local Caption *** Imogen Anthony

This article however is to celebrate the designer behind this ever growing label Heaven who has now stepped in to some very large shoes after the Creative Director of Oz Swim Group, Kristian Chase has decided to concentrate solely on designing the globally acclaimed sister label Aqua Blu.

Enter Stephanie Cunningham …

LM

Stephanie Cunningham started her Fashion Design degree in 2008 at Whitehouse. Starting with sixty in the course, it soon reduced to twenty five. Right from her point of graduation, Stephanie went straight to Hussy as an intern and describes this as most fortuitous as it pushed her into the industry straight away. They produced womens clothing, shoes and accessories. From there she went into a hands-on-role in sampling and designing for a girl who started a formal wear label. From there. she moved across to a label which produced a maternity line. As strange as that seems it gave Stephanie three solid years of well rounded and invaluable experience.  As the fabrics were all stretch it provided Stephanie with the knowledge and all she needed to know about creating fashion “with a bump”. During this time, the label opened a physical store, so Stephanie learned to interact with customers to find out exactly what they wanted.  After that she went to bridal wear, again dealing directly with customers which allowed her to see the design process right through from start to finish.  She then started to design for herself and finally moved across into swimwear.

LM

What is the only aesthetic you haven’t worked on so far?

SC

Probably, denim …

AUCKLAND, NEW ZEALAND - AUGUST 28: Model Imogen Anthony prepares backstage ahead of the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Fiona Goodall/Getty Images) *** Local Caption *** Imogen Anthony

LM

In your experience, what does the customer want?

SC

The customer wants “the familiar” but not something that has been done before.  For example, women love the crop top but my job is not just to re-create the crop top.  It is to take the popular item and add fresh, new elements to create a new masterpiece.

In my mind, this is the problem with Instagram brands who churn out the same thing.  I think the design element is missing and does not consider what the customer wants.

AUCKLAND, NEW ZEALAND - AUGUST 28: A model walks the runway in a design by Heaven Swimwear during the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Stefan Gosatti/Getty Images)

LM

What is your opinion of social media?

SC

I love social media and as the same time, I hate social media.

People who follow Instagram closely seem to take so much notice of the influencers but some of the brands saturate Instagram so much with the same material that there is a real pressure for everyone to look the same.

Heaven has strongly pushed the view forward that our customers do not have to look like everyone else.  I think we are helping people to realise that they don’t have to look like they are all the same and that in reality, colour and individuality speak volumes.

AUCKLAND, NEW ZEALAND - AUGUST 28: Model Imogen Anthony prepares backstage ahead of the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Fiona Goodall/Getty Images) *** Local Caption *** Imogen Anthony

LM

Why do you think people who follow Instagram feel like it’s important to look the same?

SC

I think it’s because of the celebrity culture, and everyone is desperate to fit in.

Slightly older groups have the opinion that they don’t want to be the same, but the younger demographic does not know anything different and therefore, don’t have the confidence to be completely individual.

We are seeing lately a translation of older designs, and the revival culture is huge which really equals a trend. To me, this proves that we are not completely innovating as much as we could, and this is why we try to be as creative as we can at Heaven to fill in those fashion and social gaps.

AUCKLAND, NEW ZEALAND - AUGUST 28: Model Imogen Anthony prepares backstage ahead of the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Fiona Goodall/Getty Images) *** Local Caption *** Imogen Anthony

LM

What is your opinion of the influencer?

SC

In some ways I think that the influencer is unnecessary due to the the constant saturation of that one person and one general style.

On the other hand, I feel that it can work well, as long as the influencer translates specifically to the brand that they are aligned with.

There is an obsessive tendency around the culture of Instagram and influencers, so I would prefer to see “quality over quantity”. The exposure should be about the brand, not the influencer.

The saturation point has reached an all time high and over exposure can reverse the benefits to a brand.

At Heaven we are extremely careful to research the value of the influencer to make sure that it is right for our brand and not just an avenue to provide the influencer with free content.

AUCKLAND, NEW ZEALAND - AUGUST 28: A model walks the runway in a design by Heaven Swimwear during the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Stefan Gosatti/Getty Images)

LM

What is your opinion of paid posts on Instagram?

SC

In my opinion that would be need to be attached to specific strategy and my feeling is many Instagram brands are fleeting and this is the reason why.

AUCKLAND, NEW ZEALAND - AUGUST 28: A model walks the runway in a design by Heaven Swimwear during the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Stefan Gosatti/Getty Images)

LM

What do you think about influencers sitting in the FROW at events?

SC

I think the same strategy applies, and for my brand it is important that loyalty for our customers is paramount.

The industry people who attend our shows actually bring something to the event, the industry, the brand and its culture. They are not just there for the selfies.

It is the difference between having a brand that has the real world aspects; bricks and mortar office space, staff, sewing rooms, etc and the desire to be globally successful and recognised. Very different to some of todays “Instagram” brands.

AUCKLAND, NEW ZEALAND - AUGUST 28: Model Imogen Anthony prepares backstage ahead of the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Fiona Goodall/Getty Images) *** Local Caption *** Imogen Anthony

LM

What keeps the Heaven brand so well patronised and popular is the attention you pay to your customers and quite simply the quality. Would you agree?

SC

Yes. We work hard at those aspects and they have always been at the pinnacle of our brand motivation.

AUCKLAND, NEW ZEALAND - AUGUST 28: Model Imogen Anthony prepares backstage ahead of the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Fiona Goodall/Getty Images) *** Local Caption *** Imogen Anthony

LM

I was reading an article the other day about the huge problem of things being worn, and then returned in massive numbers via online shopping portals. What is your view about this problem?

SC

I think it comes back to the same old problem that we can’t see, feel and try the garment and therefore our motivation becomes purchasing for the instant adrenalin rush of something new, the Instagram post and the ultimate “like”. It is no longer about the garment, but more so about the moment.

AUCKLAND, NEW ZEALAND - AUGUST 28: A model walks the runway in a design by Heaven Swimwear during the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Stefan Gosatti/Getty Images)

LM

Where do you see the future of Heaven?

SC

Well, quite literally at the moment? … the sky’s the limit.

LM

Funny about that … it is after all called Heaven 🙂

AUCKLAND, NEW ZEALAND - AUGUST 28: A model walks the runway in a design by Heaven Swimwear during the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Stefan Gosatti/Getty Images)

THANKS to:

Model Extraordinaire | Imogen Anthony

Imogen’s Team | JayMillionaires

Photography | Thanks to Fiona Goodall of Getty Images for the photographs.

AUCKLAND, NEW ZEALAND - AUGUST 28: A model walks the runway in a design by Heaven Swimwear during the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Stefan Gosatti/Getty Images)

Check out the beautiful, luxurious garments by Heaven.

Follow them on Instagram.

AUCKLAND, NEW ZEALAND - AUGUST 28: Model Imogen Anthony prepares backstage ahead of the Swim and Activewear Collective show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand. (Photo by Fiona Goodall/Getty Images) *** Local Caption *** Imogen Anthony

Until next time,

Jade xx

 

 

 

 

Australian Designer, Australian Fashion Industry, MBFWA

BACKSTAGE #mbfwa2018

June 14
Backstage at Fashion Design Studio at Mercedes Benz Fashion Week in Sydney at Carriageworks 2018.

Backstage at Fashion Design Studio at Mercedes Benz Fashion Week in Sydney at Carriageworks 2018.

Fashion Week is always special. And strangely, always, each and every year, in a different way.

For me, arriving there one year since the last time felt strange.  So much has happened in one year, and quite literally months of my life had been devoted to a very important project, both for myself and for the Australian fashion industry.  Those of you who know me, and now there are many, you will know that that project was none other than the Jurassic World Fallen Kingdom Runway, held in April of this year. I was thrilled to be able to work with, encourage, and develop the designers with whom I was so closely aligned on this project, as well as developing the concept in this country of working with international big guns who see benefit in fashion collaboration.  This has long been my vision and I hope to see much more of it in the future.

Continue Reading…

Aussie Fashion, Australian Designer, Australian Fashion, Australian Fashion Industry, Editorial, Events, MBFWA

Camilla and Marc Day #1 MBFWA 2018

May 13

So, Camilla and Marc opened Australian Fashion Week tonight in tandem celebration with their 15th Anniversary, with an incredible show!

Well, of course it was incredible … it was Camilla and Marc!!! What more would one expect?

I loved the feeling of this show. Firstly, it was reminiscent of times past as it was held at the iconic Sydney space, The Royal Hall of Industries at Moore Park.

I was so delighted to see this gorgeous collection … beautiful brocades in pale palettes graced the runway followed by the re-invention of traditional power suiting. I think I even detected some shoulder pads, matched in strength by the oversized double breasted jacket in various checks with very lengthy arms. A little impractical you might say … but bloody fantastic on the runway! Continue Reading…