Browsing Tag

trends

Aussie Fashion, Australian Designer, Australian Fashion

Charles Kennedy | Fashion Design Studio

November 24
Charles Kennedy from Fashion Design Studio and his 2020 collection for the graduate runway at the Factory Theatre in Marrickville

Charles Kennedy from Fashion Design Studio and his 2020 collection for the graduate runway at the Factory Theatre in Marrickville

In recent weeks, as I do every year, I have been liaising with the wonderful emerging designers from Fashion Design Studio as they move closer to what will be their greatest moment thus far, in their fashion careers. The FDS Graduate Runway. This is where their final collections are put on show celebrating the amazing detail of the many aspects which have made up their fashion design degrees.

The creation of their textile designs alone come into being from the most incredible sources … in one case, from the students own photography. Textiles, dyeing, devore, screen printing … are the basis of the incredible work which is consistently turned out, year in and year out at Fashion Design Studio.  The lecturers are full of heart, love and professionalism. Their enthusiasm and devotion to the industry they love and the people who choose to walk in their original footsteps is unending. To all of them, Alex Zehntner, Laura Washington, Julie, Mary and Narelle, I say “Thank You”. They are the unsung heroes in this story as they are the foundations of the success of the long list of Australian fashion icons that have stepped out of this institution many moons ago now. This year, we are entering a new paradigm for the Graduate Runway, in line with the release of my new project, The Ageless Runway, where I will be walking along with some other silver foxes ? I think we are all aware now that fashion is for everyone, and we all want success for everyone in all sectors of the industry. This is our new future of Australian fashion, and it always starts with those who will literally form the future of our industry … the wonderful emerging talent. In the next little while on the Label Ministry platform I will be showcasing the FDS designers who have chosen to have the golden oldies walk for them.

Meet Charles Kennedy, and his Insta label CharlieBoyTheLabel, sadly, 🙁 …  the last of the graduate interviews 2020, answered some of my questions …

Enjoy!

What was the driving force for you to study fashion design?

In all honesty this is quite a hard one to answer, Fashion design has always been a deep passion of mine, ever since I can remember. I have a distinct memory of gathering scraps of material from around the classroom in Year 1  cutting them into shapes resembling clothes. It carried a bold caption stating, “when I grow up, I want to be a fashion designer, because all clothes are beautiful”.

What are your hopes and dreams for your chosen career as a fashion designer?

I’d love to work in a design house one day. At the moment my biggest dream is to do an internship overseas with a larger scale company, somewhere like LVMH.

I know it’s such a far fetched goal, but it would be wonderful to get that sort of experience. I am keen to pursue a range of directions in my career to build on my degree such as design, pattern making, textiles, business etc. In the short term I want to achieve my goal of interning to see where i really slot in, and explore where I can contribute the most to a business’ success. I think more than anything I thrive on the fast paced nature of the industry. Finding myself within the machinations of a fashion company, large or small would be wonderful.

There are so many points of aesthetic I find appealing and workable. I suppose the most direct points of my aesthetic can be seen in my diverse mix of tailored garments and bias drapes. I really love the idea of taking conventional shapes and garments and adapting them to create something new and unique.

I love the idea of layered looks, outfits that include three or more pieces. This allows a great deal of subtlety which can be added to a look. Fashion design to me is about exploring contrasts in garments, and the levels of nuance which can be created within a look.

Who do you see as your customer?

In a word?

Everyone!!!

I really love the idea of agelessness, shapelessness and limitless clothing. I want every single piece in my collection to feel as though there’s some connecting factor.

To create garments and looks, when broken down and deconstructed feel workable for anybody.

The main objective of my collection is to create clothes that encompass a complete sense of ones personality, garments that can be shared between brother and sister, cousin and friend, grandparent and grandchild, things that can legitimately work between all different shapes and sizes.

I love the classical style of traditional runway shows, theres always such a strong buzz and ambience connected to a live setting. However, i do sort of dislike the traditional connotations of exclusivity that can be paired with this. With this past year and Covid-19 i found that i really loved the beauty of digital runway platforms, and the vast level of creativity that can be explored through these settings. I definitely love the idea of creating a space that transports an audience into a separate world, the place of the designer, the brand, and the people who inhabit the clothes.

Until next time,

Jade xx

Label Ministry Logo

 

Aussie Fashion, Australian Designer, Australian Fashion

Laura Addis | Fashion Design Studio

November 23
Laura Addis from Fashion Design Studio at Ultimo TAFE Graduate Collection 2020

Laura Addis from Fashion Design Studio at Ultimo TAFE Graduate Collection 2020

In recent weeks, as I do every year, I have been liaising with the wonderful emerging designers from Fashion Design Studio as they move closer to what will be their greatest moment thus far, in their fashion careers. The FDS Graduate Runway. This is where their final collections are put on show celebrating the amazing detail of the many aspects which have made up their fashion design degrees.

The creation of their textile designs alone come into being from the most incredible sources … in one case, from the students own photography. Textiles, dyeing, devore, screen printing … are the basis of the incredible work which is consistently turned out, year in and year out at Fashion Design Studio.  The lecturers are full of heart, love and professionalism. Their enthusiasm and devotion to the industry they love and the people who choose to walk in their original footsteps is unending. To all of them, Alex Zehntner, Laura Washington, Julie, Mary and Narelle, I say “Thank You”. They are the unsung heroes in this story as they are the foundations of the success of the long list of Australian fashion icons that have stepped out of this institution many moons ago now. This year, we are entering a new paradigm for the Graduate Runway, in line with the release of my new project, The Ageless Runway, where I will be walking along with some other silver foxes ? I think we are all aware now that fashion is for everyone, and we all want success for everyone in all sectors of the industry. This is our new future of Australian fashion, and it always starts with those who will literally form the future of our industry … the wonderful emerging talent. In the next little while on the Label Ministry platform I will be showcasing the FDS designers who have chosen to have the golden oldies walk for them.

Stay tuned for the next interview.

In the meantime designer Laura Addis from Manners Please, answered some of my questions …

Enjoy!

Continue Reading…

Australian Designer, Australian Fashion, Australian Fashion Industry

Fashion Design Studio 2018

November 27
Models standing backstage at the Fashion Design Studio Graduate Runway 2018 at Ultimo TAFE

Tonight, I had the pleasure of attending the Fashion Design Studio’s 2018 annual graduate runway.

The eagerly awaited fashion spectacle which showcases the most celebrated of their students.  The outstanding and often times breathtaking talent is awe inspiring and one must always remember that we are, in that very moment, bearing witness to those who will be the future heroes of the Australian fashion industry.

May I open with this.

Fashion design is not for the faint hearted.

Models standing backstage with Jade Cosgrove, CEO Label Ministry at the Fashion Design Studio Graduate Runway 2018 at Ultimo TAFE

Photography | Romualdo Nubla Studio MOR+ | Fashion Design Studio Graduate Runway 2018

Continue Reading…

Australian Fashion Industry, Editorial, Global Fashion Industry, New Zealand Fashion Week

Orange Is The New Black

October 15
A model walks the runway in a design by Ruscoe during the New Generation Emerging Couture show during New Zealand Fashion Week 2018 at Viaduct Events Centre on August 28, 2018 in Auckland, New Zealand (Photo by Phil Walter/Getty Images)

If you’ve been keeping up with our latest articles, you already know that Label Ministry ventured to lovely Auckland for New Zealand Fashion Week in August this year.

While most of Jade’s mission at NZFW revolved around the production of the unreal runway show for Heaven Swimwear I was lucky enough to have some time to kick back in the front-row of several other shows.

While I relished my time at every show, one label stood out among the rest. An… orange diamond in the (not-at-all) rough, if you will …

Enjoy xx

Continue Reading…

Australian Designer, Australian Fashion Industry, MBFWA

BACKSTAGE #mbfwa2018

June 14
Backstage at Fashion Design Studio at Mercedes Benz Fashion Week in Sydney at Carriageworks 2018.

Backstage at Fashion Design Studio at Mercedes Benz Fashion Week in Sydney at Carriageworks 2018.

Fashion Week is always special. And strangely, always, each and every year, in a different way.

For me, arriving there one year since the last time felt strange.  So much has happened in one year, and quite literally months of my life had been devoted to a very important project, both for myself and for the Australian fashion industry.  Those of you who know me, and now there are many, you will know that that project was none other than the Jurassic World Fallen Kingdom Runway, held in April of this year. I was thrilled to be able to work with, encourage, and develop the designers with whom I was so closely aligned on this project, as well as developing the concept in this country of working with international big guns who see benefit in fashion collaboration.  This has long been my vision and I hope to see much more of it in the future.

Continue Reading…

Australian Fashion Industry, Editorial, Fashion Designer, Instagram

Trash Talk

December 6

Fashion was and still is, about beauty, dignity, poise, and reverence.

 

When did it become ok for celebrities, Hollywood and otherwise to stop wearing underwear to red carpet events in the name of fashion just because they were wearing a certain type of dress? I have been watching this rise in vulgarity for some time now and I can no longer be quiet about it.

On the one hand we are all screaming about feminism and crying like babies when men stare at our boobs but then happily cement our own sexism and elevate to new heights our vulnerability and dissatisfaction by wearing fashion pieces which once upon a time would have shamed us all for being sluts.

Our obsession with things so tight, we can’t move, fabrics so sheer we leave nothing to the imagination, and openings on dresses so vast, we abandon our underwear and leave only parts God himself has witnessed on show to the world.

I don’t know what you think, but as this is an opinion piece, and as I fully have to admit, a little prone to a rant at times, I have to tell you that we are overdue for a change.

Sorry…

We all know what’s under people’s clothes. Do we really have to be subjected to the most private parts of one’s body and then pretend to call it fashion? Quite aside from the sheer ugliness of those body parts, who wants to see them? The line between pornography and fashion is becoming a little too “blended” for me. And no. Just because something has been carefully perfumed, manicured, and waxed doesn’t make it a show piece either.

I for one am sick of shorts so short I can almost see what’s been had for breakfast, tops so plunging I can see the shadow of the nipple, and dresses so short and revealing that I am unwillingly introduced to your cellulite thighs and then hello! nooo … your Ruby-Tuesday!

Enough!  Yes, fashion is about creativity, imagination, diversity, and even cheekiness. But when did it become about nakedness and the soft crevices of well …

Quite aside from what we find acceptable to look at, and I acknowledge that my conservative view will not be shared by everyone, I do have to point out, how does this exposure and behaviour impact on our younger generations and social media platforms such as Instagram?

In making this behaviour the new “normal” are we not teaching the younger audience of the global fashion industry and horrifyingly our children who are without question, the most prolific users of Instagram, that a “following” is all important and that this is often achieved by very explicit content?

I believe we have an obligation to teach our younger generation about pride and dignity. To help them to understand that they are valuable and wonderful human beings who can enjoy and delight in fashion without the social constructs which promote the growing insistence and then consequential confusion of body shaming.

Naturally, I do not include the world of swimwear in my critique, as little clothing within our long accepted beach culture it totally acceptable. As a female, four small triangles otherwise known as the bikini wouldn’t offend anyone. As for the men, most of them wear boardies anyway don’t they, and if they don’t, we have been conditioned a long time ago to “not” look!

But on stage? The red carpet? Really. I ask you? Do we have to see people’s genitalia?  In God’s name, what will be next? Men walking around with their penises slung out of their trousers just because the trousers boast a designer’s name? Would that make it ok?

Nope.

I have had enough.

I am the greatest lover of fashion of all time, but please don’t tell me it includes having to look at people’s breasts on mass bulging out of their garments or horrific glimpses of a vag.

There is ample opportunity in this world to wear as little as pleases you, but can we please not make it the stage or iconic red carpet events? It really, and I mean really, brings down the tone of an industry which has always enjoyed the exalted heights of glamour, class and style. Reminds me of that old adage … “money don’t buy class”. True or not?

Money these days seems to buy more and more of the same thing, especially on the red carpet.  It usually equates to less and sadly, less, class.

If anyone was to ask my opinion? Be an example! Look beautiful. Be dignified. Be the voice to tell the world about the world’s amazing fashion designers, particularly the Australian ones, because everyone knows we are the best!

But don’t bring fashion down to the depths of the gutter.

That’s where the rats live.

Where the infectious diseases reside.

And life starts not to matter …

Let’s not take it there.

Synonymous with the word fashion has always been the virtues of beauty and dignity.

We have seriously lost our connection to the importance of strong moralistic human virtues and instead have become immersed in a debased cultural mindset of anything goes. This attitude helps nobody. It does not help humanity and it certainly doesn’t help our beloved fashion industry, Australian or otherwise.

Fashion was and still is, about beauty, dignity, poise, and reverence.

Let’s keep it that way.

Until next time,

Jade xx

Coat Hanger Logo done in black on white in the style of chinese calligraphy and paint brushing style with the words Label Ministry placed in capital letters below it.

 

 

 

Australian Fashion Industry, Editorial, Fashion Designer, Global Fashion Industry, Interview

Frederick Jenkyn

September 26
Model | Kelly Hockey Place | London Designer | Frederick Jenkyn Photographer | Chris Fatseas

Frederick Jenkyn, Australian Fashion Designer, TAFE Ultimo. The Innovators.

As all of my devoted followers already know, earlier this year, I had the pleasure of perusing on mass, the breathtaking young smorgasbord of talent that Australia serves up each and every year at Mercedes Benz Fashion Week. After the week long event, which is the highlight of the years for all Australian fashion devotees, I methodically work my way through the incredible mix of entrepreneurial youth, offering them the opportunity to publish an affordable and effective public relations interview to promote their names and their emerging brands.

Frederick Jenkyns collection was outstanding. I met him the very day of the unveiling of his collection, but am bringing you this interview after corresponding with him in London, his new place of residence.

As I am sure you are aware, and if you are not, please consider this.

Our emerging designers are quite literally our fashion future.  They represent the group of people who will lead us strongly, both locally and internationally, in the ethical and sustainable production of our beloved fashion industry. Young people such as Frederick will most likely be the names behind your choice of dressing and the other interiors of our design lives for decades to come. It is essential that we support them, read about them, buy their product and offer them our gratitude and encouragement.

Please remember to share  the love.

Australian fashion is depending on you …

 

Meet Frederick Jenkyn.

In five years? I want to have my own studio with pattern makers/design assistants. A machinist and a social media/online manager.

Rolls and rolls of fabrics and a stock room filled to the brim.

I would like to think I’ll be complaining about needing more space. But then I will think, I need to pay for the embroidery for next season so it’s not a good time to upgrade.

I will only wear black. In case someone visits the studio and I won’t look a mess.

And in the bottom draw of my desk, that looks like a filing draw, I’ll keep some throw rugs for the “before show” all-nighters.

Frederick Jenkyn

 

Model Kelly Hockey modelling in London for Frederick Jenkyn. Photographer Chris Fatseas.

Here is Frederick Jenkyn’s story so far …

Frederick Jenkyn as a brand emphasises wearable innovation through unconventional textiles and hand crafted detailing traversing the borderline between couture extravagance and everyday wearability.

Frederick Jenkyn

 

Continue Reading…

Australian Fashion Industry, Editorial, Global Fashion Industry, Photography

Lights. Cameras. Heaven.

June 28
Bill Cunningham, New York photographer. Passed away at age 87 years after a stroke.

“The problem is I’m not a good photographer. To be perfectly honest, I’m too shy. Not aggressive enough. Well, I’m not aggressive at all. I just loved to see wonderfully dressed women, and I still do. That’s all there is to it.”

– Bill Cunningham

This morning, as I drank my morning coffee and dreamily looked out the window, my eyes rested on a postcard sitting near me. The title was, “The King Is Dead”.

It is not often that I am totally affected by the passing of someone whom I have never met, spoken to, or even seen in person.

But this time was different.

Saturday, June 25 2016 was a sad day for the global fashion industry.

I woke that morning, Sydney time, with a heavy heart, to find that the iconic Bill Cunningham, the famous bicycle pedalling street photographer, and dedicated columnist for the New York Times, will no longer be seen in mid-town New York capturing his special version of visual fashion delights.

Bill has crossed over, and is now travelling on a runway of a different kind.

Bill Cunningham was special. Eccentric. Dedicated. One of a Kind. And. He Will Be So Missed.

It has literally taken me days to comprehend that he is gone. At least from my current world.

And so this post is dedicated to Bill.

A man I never met, but a man that I know has affected so many lives with his work. As I write these words I realise what an incredible thing that is.  To actually be such a contributory pillar of artistic genius that causes fashion lovers across the world to mourn his passing.

Bill is someone that I would have loved to have met, even briefly. For whatever reason, that was not to be. But it actually doesn’t matter because I hold such gratitude for the contribution he has made to my life. And to my own passion for fashion.

And there is that word again. Contribution.  Ahh yes! That word has been spoken about a lot lately, post Mercedes Benz Fashion Week, Sydney 2016.

Contribution.
Continue Reading…